|Egypt - UK blues rock band - Reviews|
|Home :: Gig List :: Band Info :: Contact :: Shop :: MP3/Video :: Reviews :: Photos :: Links|
For the moment here are a few fairly recent reviews, watch out for more stuff soon.
there are some older reviews here
Review of Egypt gig from Gig & Grub Guide (East Anglia)
Review of Blues Kerosene from Indigo FM, Australia
What an album - and such excellent content.
Did The Yardbirds play the Blues, did Eric Clapton really attain godliness through his interpretation of the blues and was Hendrix a Blues player? To an extent, the answer is yes, but listen to BLUES KEROSENE and there you will meet many interpretations which cannot be faulted; songs written by the band themselves and by the likes of Hooker and Johnson.
Purists might not like others interpreting the works of Hooker and Johnson, but why not when played by maestro musicians, such as EGYPT? Blues is an evolving genre, and who can take offense at numbers which can be part of this evolution? The guitar playing is immaculate, the percussion and bass are well matched and the vocals-well they are the blues!
The blues should be stirring and emotive as well as making statements and/or just being damned good. Egypt have taken this genre to heart and they have that true feeling for the blues. Don't always look back to the originators, but move on to those who keep the scene alive today-EGYPT one of our finest Blues bands.
Tony Bates - Indigo FM
Review of Blues Kerosene from Blues Matters Magazine
EGYPT - Blues Kerosene - Stable Records
Egypt are a three piece Blues Rock outfit that have been on-the-circuit since 1987. All three members of the band were also ex-members of The Groundhogs to give a feel of their pedigree that shines out throughout the entire album.
The CD consists of ten tracks most of which are self-penned and a few carefully selected covers. It opens with a cover of John Lee Hooker’s, ‘Ride Till You Die’. This is a heavy weight Blues Rock version with power packed clout, power drum, pounding bass riffs and wailing lead guitar all joining lead singer Eric Chipulina’s dramatic gravelly vocal and the song is a prelude to much that is to follow.
The tempo drops in the next track, ‘Back To The Pack’, a Blues Rock Ballad. The tempo may be down but the drive and power remain solid as Chipulina drives home the lyrics allied to smouldering guitar riffs, chest pounding bass riffs and some very impressive drumming. One cannot help but be minded by some of Bad Company’s music on this track.
‘Viola Lee Blues’ is a complete contrast and sees the band return to a very traditional Blues ballad with slide guitar taking you way down South. This is then contrasted with another Blues Rocker, very much in the early Led Zeppelin style called ‘Lazy Maisie’. ‘Fu Man Chew’ drops mood again with a traditional slide guitar instrumental and the final cry of a wolf. The CD concludes with ‘Rocking The Room’, a Blues Rocker that takes the joint apart and fires you out of the CD with style.
If you like dirty, hard Blues Rock with a solid feel of the 70s at its best, this CD is for you.
Review of Blues Kerosene www.music-news.com
Egypt ‘Blues Kerosene’ Stable Records
This album is an absolute delight and arguably the album The Groundhogs never made! If you love intense early 70’s style rock with a bluesy source, then look no further than ‘Blues Kerosene’. For this is an album that features 10 tracks of imposing rockaboogie that recalls the golden days of Classic rock.
Egypt was always a good band and this album proves they’ve lost none of their power and vitality down the years. The band has for years been a recruiting post for Tony McPhee’s Groundhogs - with all three members at one time or another passing through the ranks - and as ‘Blues Kerosene’ superbly suggest, they employ the same blues/rock crossover that made the Groundhogs such an exciting proposition down the decades.
Egypt deliver dark brooding rock/blues in a power trio format with vocals on the heavy side Redbone’s ‘Witch Queen of New Orleans’. Come to think of it that would be a great cover for them to incorporate into their set.
As it is album kicks of with a killer track as either Eric Chipulina applies his grown to JL Hooker’s ‘Ride Till You Die’ is a perfect example of cutting edge rock derived from essential blues roots. Chipulina carried over his gruff vocals into the heavy duty riff led ‘Back To the Pack’ which would surely appeal to any self respecting Bad Company or Foghat fan.
Indeed you could pigeon hole much of this album as being essential dirt sounding rock/blues from the 70’s. Whereas Groundhogs maestro McPhee used a locker full of killer riffs, Egypt apply a slightly broader scope to their approach, slipping into ‘Viola Lee Blues’, a down-home bottleneck led trad blues before revisiting some bone crunching early Zeppelin style rock/blues material on ‘Lazy Maisie’. Eric’s big toned guitar lines smoulder with intent, before a guv’nor McPhee style guitar mangle.
Half way through the album I was so caught up with the guitar playing, I almost missed the band slip surreptitiously into a cover of the Hogs ‘Garden. Hell, if you are going to evoke a guitar legend you might as well go to the source. And what a joy to be able to decipher the lyrics at last, sorry Tone!
For a band whose rock solid gigs used to sometimes cross over the thin dividing line between hard rock and simply being too loud, there’s real taste, restraint and balance to be found on the 2 min 36 seconds of wonderful bottle neck interlude on the phonetically titled ‘Fu Man Chew’. And Egypt have the wherewithal to pay attention to their sequencing as some glorious blood curdling wah wah follows on the mundanely titled but pile driven southern rocker ‘Waiting For the 353’.
And if you can overlook the rather obvious choice of Walking Blues ‘ – albeit it features some fine slide playing from Eric - you will be belatedly rewarded by another killer laden rocker, the suitable titled ‘Rocking the Room’.
Well written and produced, superbly conceived with a lovely retro tinge, Blues Kerosene’ is easily Egypt best album and one you should seek out and despite my grumbles, play at maximum volume!
© Pete Feenstra www.getreadytorock.com
EGYPT “Blues Kerosene”
Bass player/ vocalist Alan Fish was in Terraplane with Tony McPhee in 1977 then in The Groundhogs line-up that recorded ‘Razor’s Edge’ in 1985. Apparently singer/ guitarist Eric Chipulina and drummer Peter Correa were also in The Groundhogs presumably as members of the touring band. So, of course there is that unmistakeable Hogs sound and even a solid cover of Tony McPhee’s superlative ‘Garden’. Also covered are Mississippi legend John Lee Hooker’s ‘Ride Till You Die’, the slow slide ‘Viola Lee Blues’ and a brilliantly restrained version of Robert Johnson’s ‘Walking Blues’, with more slide guitar-another Mississippi legend as it happens!
Some of the original songs are no slouches either. Listen to ‘Lazy Maisie’, easily mistaken for Led Zeppelin in their heyday. And how about this for a title- ‘Fu Man Chew’- a great little solo guitar instrumental? Then there’s the great wah wah driven rocker ‘Waiting for the 353’ putting the band firmly into the Cream, and later on Rory Gallagher, family of heavy blues rock. Perhaps the best of the lot though is ‘Bluesbelly’ which for some probably misguided reason reminded me of the great Frank Marino.
There are times when only the blues seem up to doing the job. Sometimes you need the delicate, soulful, spiritual blues, sometimes you just need to let the blues rock set the place on fire, not so much clear the cobwebs as napalm them right out of the door. If it's the latter you're wanting may we humbly suggest you check out Egypt and their new album, "Blues Kerosene". This classic power trio stuff, drums, bass, screaming guitars and raw vocal power. Half the time they turn the heat on their own numbers, half on the masters at whose feet they've studied.
EGYPT “Blues Kerosene” (Stable Records)
Even though I loathe the term 'blues-rock', you would have to say the hard-rocking trio, Egypt, are firmly in that camp, with the ten tracks on “Blues Kerosene” featuring a mix of band originals together with a few blues chestnuts.
The trio, who have vast experience, and initially formed in 1987, consist of Eric Chipulina (guitar and vocals), Alan Fish (bass and vocals) and Pete Correa (drums), indeed, all three have at one time been a member of the legendary British band, The Groundhogs.
The band are down to business on a fiercesome version of John Lee Hooker's “Ride Till You Die”, before slowing it down for the band composition “Back To The Pack”, and then taking it up on the rocking “Bluesbelly” - all featuring Chipulina's thick guitar tone and the driving rhythm section.
They doff their caps to classic blues on the very old Noah Lewis song, “Viola Lee Blues” with Eric Chipulina's sparkling slide guitar prominent, and a dip into Tony McPhee's material with the evergreen “Garden”. Robert Johnson's timeless “Walking Blues” is given a somewhat reverential workout here, again highlighting Chipulina's slide work. The album closer, “Rocking The Room” is a rousing chunky rocker that sort of captures and highlights the band's sound.
The band appear to be based in East Anglia, with plenty of dates on the book . . . for those who like it rocky, check them out!
some of the revelant bits from a review of gig at Tubby Blues Club in Cheltenham, taken from their newsletter.
...........The Egypt Blues Band showed us why they are one of the top rock/blues bands in Europe.
The way he tweaks, cajoles, wobbles, massages and taps those sounds from his guitar is truely awesome.
Pete Correas' instinctive drumming and superbly produced drum rolls underscored by Alan Fish's driving Bass
from the Kings Louth website www.kingsheadlouth.co.uk
Egypt Cruise The Rock ‘N’ Blues
Since the beginning of the year when the gig calendar was posted I had been awaiting this band and there can not have been one disappointed rock ‘n’ blues fan in The Kings, this was simply the best night of the year, for me:-)
Egypt the band have been around since 1987 and have very close connections with the legendary 60/70s band The Groundhogs therefore we’re talking experience and class of the highest order. Some people say if you remember the 60s you weren’t really there, I was and I do and it was the experimentation by such bands that has led to such a huge international following of British music worldwide.
So what did we get? Two sets, nearly three hours and 17 songs…yep, that’s an average of almost 10 minutes per track including “Ride Till You Die”, Howlin’ Wolf’s classic “Smokestack Lightning”, “Bring It On Home”, three classic Robert Johnson tracks, “Hellhound On My Trail”, “Early This Morning” and “Walking Blues”. One of the most classic blues songs of all time has to be “Baby, Please Don’t Go” which was first recorded by Big Joe Williams in 1935 however for most of us it was Van Morrison and Them who created the classic rock ‘n’ blues version we all know so well and wow, did Egypt do this justice, you bet.
Would they play The Groundhogs “Cherry Red”? Certainly and I have absolutely no idea how long it lasted maybe 20 minutes???…phenomenal, absolutely amazing and the entire bar loved every second of it and they were very reluctant to let the band not do an encore which duly arrived with the all-time Hendrix classic “Voodoo Chile”.
Of course nights like this do not happen on their own therefore a special mention must go to Egypt’s sound engineer Dick Wilson who used Balding Bloke’s in-house system and between them made such a memorable night. Naturally we would like to see these guys again and it most likely will not be until next year simply because they are so much in demand therefore keep an eye on the What’s On” calendar.
Norwich Evening News 24 - 17th Feb 2009
Egypt - The Walnut Tree shades
The spirit of Hendrix filled a city pub when established blues rockers Egypt came to play. The three-piece gave
His solos frequently turned into lengthy Jimi-influenced wah-wah explorations, full of bluesy
Despite the length of their set, like true professionals they inevitably saved the best for last.
These guys have been gigging around the region for longer than I can remember, and no doubt will